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festival reports
The French Film Festival UK 2008: Family, Friends and Foes à la française

French Film Festival UK

French films are on in the up in Britain, with recent titles that have successfully jumped the Channel including the brainy thrillers Caché (Hidden) and Ne le dis à personne (Tell No One), the Edith Piaf biopic La môme (La Vie en Rose) and the crowd-pleasing historical tales Les choristes (The Chorus) and Un long dimanche de fiançailles (A Very Long Engagement). Audiences around the UK might catch the future French hits at the upcoming French Film Festival UK, which celebrates its 16th edition between March 7-20 in ten cities around the country. The editor of european-films.net, Boyd van Hoeij, discusses three films playing at the festival, one from each of the festival’s different sections. All three focus on friends, family and foes, and how difficult it can be at times to see the difference.

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feature: In Transylvania, wandering souls and ghoulish behaviour (on film)
Transilvanian Film Festival 2007
Part of the poster art of the 2007 Transylvanian Film Festival.
 
On the first page of Bram Stoker’s Victorian horror classic Dracula, Jonathan Harker notes in his journal that he had arrived to the city of Klausenburgh “after nightfall”. Now better known as Cluj, the city is the capital of the Transylvania region in the Carpathian mountains. The region owes much of its international fame to the fact that Stoker’s titular character called it home, a fame no doubt widened by the countless film adaptations that followed the novel’s release in 1897. In early June, Cluj now hosts the annual Transylvanian Film Festival, which showcases the best of young European and world cinema as well as the annual Romanian film production during the Romanian Days. It seems a fitting way for the region to return the favour to the medium that literally put it on the map for many.
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Málaga: The Spanish Showcase
Bajo las estrellas
A scene from Félix Viscarret’s 'Bajo las estrellas' (Under the Stars), which won the Golden Biznaga at the Malaga Spanish Film Festival. Photo (c): Fernando Trueba, 2007. All rights reserved.
 
It is funny that Spanish broadcaster Antena 3 (A3) was the official sponsor of the recent Málaga Spanish Film Festival, and was so devoted -- during the ten days the festival lasted -- to vividly promote the Spanish movies that were part of the Official Selection in its news bulletins. Considering that A3 normally only talks about Hollywood premieres, this must have been some kind of mirage for the Spanish film industry. Now that the festival is over, A3 is back to reporting about the highly anticipated Hollywood smash hit of the moment: Frank Miller’s 300. Have they already forgotten about the weak Spanish film industry, until next year, perhaps? Is it really useful to overwhelm the audience during a few days with a lot of Spanish releases and then forget about promoting our very own cinema for the rest of year?
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feature: The Italian Film Festival Manual of Love

Manuale d'amore film still
Margherita Buy and Sergio Rubini in a scene from the 'Crisis' segment of Giovanni Veronesi's 'Manuale d'amore' (Manual of Love). Photo (c): Filmauro, 2005.

In Giovanni Veronesi’s genial Italian comedy Manuale d’amore (Manual of Love), four separate but interconnected stories illustrate four chapters from the book of the title: Infatuation, Crisis, Betrayal and Abandonment. The 2005 film, one of the biggest local boxoffice successes of that year, can now be seen in Great Britain as part of the Italian Film Festival UK, which started Friday, November 17. Together with some 25 recent titles and a few classics, the festival offers a great opportunity to catch up (or get acquainted) with Italian cinema. The festival selection is shown at various venues throughout the UK. Using the Manual of Love chapter headings for guidance, Boyd van Hoeij, the editor of european-films.net and frequent kamera.co.uk contributor, proposes this small festival guide of five recent Italian films that he loved.

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