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 Arriving at a festival that is already in full swing is like trying to hop on a merry go round that is already in motion. Thankfully it is not the first time I’m in Cannes, so at least I know my way around. Pick up the accreditation in the cellar of the bunker (as the Palais des festivals is often irreverently referred to). Try to see as many press agents as possible to fix the schedule of screenings and interviews. Try to catch up with friends randomly encountered on the Croisette, the boulevard that straddles the deserted Côte d’Azur beach – it’s pouring in Cannes at the moment – and connects all the important festival locations. Umbrellas and chic raincoats are de rigeur outside (and designer sunglasses far from outlawed), but inside everyone is united in the democracy of the dark auditoria. Because it is for the movies that we are all here in the end. |
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 Your favourite European film website will be undergoing some site maintenance and several technical updates for the rest of this week and through the weekend, in preparation for a brand-new redesign that will be launched in time for the 2008 Cannes Film Festival that starts on Wednesday, May 14. Because of these technical issues, loading speed and/or access to the website may be more difficult than usual. Please bear with us and be sure to come back for our LIVE Cannes coverage next week! |
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 The Competition titles of the 2008 Cannes Film Festival were announced today, with a Belgian, two French and two Italian films making the cut, as well as Mondruczo's Hungarian Delta and Wim Wenders' European co-production The Palermo Shooting. Two French film will run in Competition this year, both from veteran directors: Arnaud Desplechin's Un conte de Noël (A Christmas Story) and Philippe Garrel's La Frontière de L'aube. The French-language La silence de Lorna from the Belgian Dardenne brothers will also play in Competition, as will the Italian films Il Divo from Paolo Sorrentino and Matteo Garrone's Gomorra. The festival will open on May 14 and will run through May 25. UPDATE: Several new titles had been added to the list below. |
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The David di Donatello Awards, Italy's national film prizes, were handed out on Friday, with the mystery La ragazza del lago (The Girl by the Lake) winning a staggering ten awards, including Best Picture. The film from first-time director Andrea Molaioili beat two films by veteran directors and with bona fide Italian stars: Antonello Grimaldi's bereavement drama Caos Calmo (Quiet Chaos) with Nanni Moretti and Silvio Soldini's marital drama Giorni e nuvole (Days and Clouds) with Margherita Buy and Antonio Albanese. The latter film did win Best Actress and Best Supporting Actress honours for Buy and Alba Rohrwacher respectively, while Caos Calmo won in the categories Best Supporting Actor (Alessandro Gassman), Best Song and Best Score. |
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A favourite of francophone children everywhere and the first experience of French literature for many French students abroad, writer René Goscinny and illustrator Jean-Jacques Sempe's classic Le petit Nicolas (Nicholas) will finally get the big screen treatment. The film project will be directed by Laurent Tirard (Molière) and will star Kad Merad (Bienvenue chez les Ch'tis / Welcome to the Sticks) and Valérie Lemercier (Les fauteuils d'orchestre / Avenue Montagne) as Nicolas's parents. The title role of the mischievous little pupil -- who tells the story from his unique point of view -- still remains to be cast. (source: allocine)
Antichrist, the much-anticipated return to the horror genre of director Lars von Trier (Manderlay) will be filmed over 25 to 35 days at the tail end of the summer in Germany. It tells the story of a wedded couple who retreat to an isolated forest cabin after the woman starts suffering from an anxiety neurosis following the death of their 3-year-old son. Her husband, who is an experienced psychologist and seems to suffer less from the loss, hopes his isolation experiment will help his wife. The screenplay of Antichrist, a co-production involving Denmark, Germany, France and Italy, was co-written by the prolific Anders Thomas Jensen. (source: Filmstiftung NRW) |
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