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Written by Boyd van Hoeij   
Tuesday, 08 April 2008
Celine Sciamma, director of 'Naissance des pieuvres' (Water Lilies)
Celine Sciamma, director of 'Naissance des pieuvres' (Water Lilies) in Rotterdam. Portrait by Fabrizio Maltese for european-films.net / EF Images.
 
With its stark imagery provided by synchronised swimming (all smiles above water and ugly struggles below) and frank exploration of teenage sexuality without a parent in sight, Céline Sciamma’s Naissance des pieuvres (Water Lilies) was one of the two most talked-about French films at the 2007 Cannes Film Festival. (Perhaps not coincidentally, the other film, Persepolis, was also a semi-autobiographical debut feature about the growing pains of female adolescence.) The editor of european-films.net, Boyd van Hoeij, sat down for an interview with the director at the Rotterdam Film Festival, where the film played ahead of its Dutch premiere in March. Naissance de pieuvres is currently also playing in the UK and the USA and will premiere in Norway on Friday.

Sciamma, a sunny personality who seems to wear her new role as an acclaimed director lightly, admits that, while she is surprised about the film’s international success, she nevertheless consciously tried to make a film that appealed to an international audience. "Even during the writing phase, I kept in mind that I did not want to make this specifically for a French audience, even though the film is set in France and in French," says the director.

Céline Sciamma.
Céline Sciamma.
"I wanted to make a film for the biggest possible audience in Europe and perhaps beyond. The film itself reflects that as well, borrowing from two distinct traditions: the US teen movie and French adolescence dramas. The way the narrative is structured and the fact that there are no parents in the film – the teen protagonists seem to live inside their own bubble, really – is very American, while the social aspects of the film and the precision with which its focuses on the feelings and emotions is rather French". 

If the director had to sum up in one phrase what the film is really about, she says without hesitation: "le métier des filles," or what it feels like for the girls being girls and learning to be girls. The film was partially inspired by Sciamma’s own experiences growing up: "I watched a synchronised swimming contest when I was about 15," the director explains, "and was immediately drawn to the feminine aspects of it all. That experience actually troubled me and really stayed with me for a long time. So when I had to think about a subject for my first film, my thoughts went back to that experience. I think it is something that represents adolescence 100%".

The reason Naissance des pieuvres focuses on three girls – petite Marie (Pauline Acquart), her self-consciously zaftig best friend Anne (Louise Blachere) and the stunning blonde Floriane (Adèle Haenel) – was partly to allow Sciamma to transform her own experiences into a work of fiction. Says Sciamma: "I think that in the film the characters are also more open than I was at that age; they talk about their femininity and their uncertainties a lot more than I did".

Still, there was one levelling factor when filming started. Explains the director: "Though the screenplay moved away from what I knew, when we started filming, I was again on the same plane as the girls. It is film about first times and there I was, a first-time director with three girls who had little to no experience in making movies".

 

 
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