| preview: Benedek Fliegauf's Milky Way |
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| Written by Boyd van Hoeij | |
| Friday, 30 March 2007 | |
![]() A scene from Benedek Fliegauf's 'Milky Way'. Photo by Viktoria Sovak, all rights reserved. Hungarian cinema is going through a true artistic renaissance, and the landlocked country wedged in between Austria, Slovakia and Slovenia to the West, Kroatia and Serbia to the South and Romania and the Ukraine to the East is definitely one of the more experimental hot spots of European cinema of the last few years. The work of emerging directors such as György Pálfi, Szabolcs Hajdu, Ferenc Török, Roland Vranik, Nimród Antal, Gyula Nemes and Benedek Fliegauf has been touring the festivals and arthouses across the world. Antal (2003’s Kontroll) has been the commercially most successful and the Los Angeles-born director has just directed his first Hollywood feature Vacany with Kate Beckinsale and Luke Wilson, but the true visionaries, the renewers of Hungarian cinema are Pálfi (Hukkle, Taxidermia) and Fliegauf (Rengeteg/Forest, Dealer) whose films resemble Béla Tarr’s in that they dictate their own rules rather than follow established genre conventions. Fliegauf’s upcoming project is called Milky Way and is described by the director as an "ambient movie". Milky Way was shot in the autumn of 2006 and the winter of 2007 on location in Hungary and is currently in postproduction. Labeled a psychedelic film, Milky Way should, similar to the experience of becoming immersed in ambient music, allow the viewer to connect to the film on various levels; an open approach that does not reinforce any one concrete interpretation. Watching Milky Way should lead "to a kind of metaphysical experience", which fits completely into Fliegauf’s "hypnotic-transcendent world, familiar from his earlier films Forest and Dealer". The musical style ambient is described by Brian Eno, often considered the father of modern ambient music, as music that "must be able to accommodate many levels of listening attention without enforcing one in particular; it must be as ignorable as it is interesting". Fliegauf has tried in Milky Way to transpose this idea to film, which should give interesting results to say the least, since listening to music and going to the cinema are such different experiences. Will Fliegaug have made the first muzak film or will the film enthrall everyone but each person differently? Related links: Previous previews on european-films.net: |
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